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Monday, 2 April 2012

The Flower Power of the Early 1970s Illustration Scene

Posted on 06:43 by Unknown
When we hear the term "Flower Power" we immediately think of the Beatles' Yellow Submarine, psychedelic rock posters, and the "Summer of Love" -- the trippy, hippy 1960s.

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But it wasn't until the spring of the '70s that Flower Power really blossomed in the pages of most major magazines. As with all things, it takes the mainstream a while to co-opt the culture of the trend makers. Once the Mad Men (and their clients) realized the selling power in groovy graphics...

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They began using Flower Power for everything from feminine hygiene products...

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... to lightbulbs...

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... to grape juice.

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Even Rubbermaid got in on the act. (After all, flower gardens need fences, right?)

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One favourite early '70s ad campaign of anyone who was around at the time (myself included) was for Clairol's Herbal Essence Shampoo.

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It's popularity was due to a series of truly lovely animated tv commercials. I remember watching these as a 10 year old kid and being mesmerized by them - and we only had a black and white television set back then!



So who - or what - was responsible for so thoroughly transforming the visual landscape of popular culture in the early 1970s? Some people credit this man...

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Peter Max had studied under Frank Reilly at the Art Student's League in the mid-'50s. In 1962 he and friend, Tom Daly, formed a small art studio in New York, "The Daly and Max Studio." In 1968, Max's popular animated tv commercials for 7-Up propelled him into the public spotlight. Sales of his art posters and other branded merchandise skyrocketed as a result.



No doubt Max deserves credit for heavily influencing the direction of illustration in the following years. But he was hardly the only driver.

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This week, a look at the illustration art of the early '70s and some of those who helped bring it about.
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